Thursday, 20 June 2013

July 2013 Show


Attend the opening night of CONSTRUCTIVISM featuring new work by World Renowned American Artist Kathy Kissik and introducing a new series by Emerging Canadian Artist Joan Andal Romano. Thursday July 4th 7-10pm Invitation attached.

Kathy Kissik- Statement:
My mixed media paintings are architectural. Trained primarily in photography and welding my materials are carefully chosen. I photograph my subject with a traditional medium format camera and occasionally digitally. I Shoot from varying vantage points and over a course of days. I allow myself to become intimate with my surroundings and form a relationship. Then I begin constructing sculptural collages utilizing my own prints. I seek out objects that lend themselves visually and conceptually to the subject I am dealing with. Metals, in general, have an unspoken vocabulary that is a useful tool for subtly transmitting information to the viewer. For instance, copper, by nature, conducts energy and therefore I use it symbolically for its lively aspects. On the other end of the spectrum there is the dead toxic dullness of lead, which is useful as a counterpoint to the copper. Sometimes found objects from the site inform the direction and work themselves into the artwork My vision has always been to evoke how a place feels. The interpretation of time, space, and subtle nuances associated with the experience of the subject. Texture and tonal shifts round out visual impact.
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Joan Andal Romano was born in Legazpi City, Philippines, and immigrated to Canada at the age of three. She grew up in Toronto against a backdrop of a multi-cultural community. She grew up in an environment of diversity and acceptance.

At a young age, Joan realized one of her strongest subject was mathematics. She ultimately became a professional engineer and so far, her career spans over fourteen years. Then there was her other strong subject – art. She recalls a class where she created a full-sized large mural depicting her impression of the novel ‘The Grapes of Wrath’ by John Steinbeck. The teacher extremely impressed, stated, “Joan, you were born with a gift, I hope you use your artistic talent in the future, it would be a waste otherwise”. Her high school teacher’s advice would echo in her mind for years. Then in September 2010, she began to paint and experiment with mixed media art. She joined a studio group of artists in Campbellville where she continues to learn mixed media techniques.

Fast forward, three years later, Joan is a member of the Fine Arts Society of Milton, Artists Toronto, Artists’ Network of Riverdale and Gallery 1313. She has participated in several juried art exhibitions across Toronto and continues to sell artwork in galleries located in the hub of Toronto’s art scene. The Hangman Art Gallery, located on Queen Street East, was the gallery she chose to hold her very first solo art exhibition. The exhibition ran from August 28 - September 16, 2012 and was a defining moment in Joan's art career. Her solo show resulted in several media release coverage. She titled her show 50/50 due to her use of both her left and right brain. Most of her mixed media artwork sold during opening week. 


Joan is very excited by the opportunity to show at The Elaine Fleck Gallery this July and has been encouraged and challenged by Elaine Fleck to produced three of her largest pieces to-date for this show.

Thursday, 6 June 2013

Art Exhibition And Sale: Gallery Represented Artists Maggie Broda, James Swartz, and Katerina Podolak



Toronto Based Artist Maggie Broda: "The actions of people fascinate me, not their faces, clothes or bodies so much but their disciplines. People have auras which I reproduce with colour. Their inclinations are determined in my work by the lines they carve spatially. The texture develops with the layering of the medium."

Toronto Based Artist James C. Swartz: Urban, rural and industrial landscapes have long been a subject of intrigue for James. His imagery explores the intricate link between society and nature, combining the raw elements of growth, development, desertion and decay into eloquent, highly expressive visions that find beauty and humanity in the most unlikely of places.


Toronto Based Artist Katerina Podolak, originally from Prague, Czech Republic. Through her paintings, she is currently exploring the power struggle between the natural world and the constructed world. Katerina’s paintings reflect a dynamic relationship without resolution: sometimes rigid structures are disrupted by organic forms; other times the relationship is harmonious. Katerina’s treatment of this shifting relationship invites contemplation. Each piece carefully balances unity and tension using a system of interlocking, interaction power relations. A hybrid of untamed gesture and mathematical tension captures both the architectonic stasis and the kinetic furor of the moment.

Sunday, 12 May 2013

How to Succeed in the Art World Seminar




Join us Sunday May 19th from 2-5pm for our Seminar "How to Succeed in the Art World." With over 20 years experience as a Curator and Art Dealer, Elaine Fleck has designed this seminar that explains the pit-falls in the Art World, how to navigate around them and promote your work successfully.  Suitable for artist, photographer and art dealers, the seminar explains what to expect when dealing with buyers and galleries, how to promote your work and made it in the Art World.

With only a few seats left, confirm your attendance today!  

Scotiabank Contact Photography Festival 2013: Featuring Photography by Inger Whist and Jamie Day Fleck



 For the month of May, The Elaine Fleck Gallery is featuring photography collections by Inger Whist and Jamie Day Fleck as part of Scotiabank CONTACT Photography Festival.

Inger's work is based on a succession of photographs pieced together making up a panoramic still-point. The viewer revisits this still-point with a curved piece framed in plexiglas titled "The Wave" taken near Cape Town, South Africa. Her collection also features waterfront panoramic photographs taken in Nova Scotia and Prince Edward Island.

Jamie's collection appropriately named "Night Portraits" is cinematically inspired scenes with people placed as lone characters in implied drama. Using the cities as stages, the environment, pools of light and neon lighting become almost a character itself through connotation and imposing a sense of place. The collection captures mundane moments in city settings highlighting the beauty yet isolation. "As the project progressed it became apparent this this was not just about the city but about urban living. It was about what it was like to live in a big, formidable city like New York: the beauty and isolation. While one can be surrounded by people, one can simultaneously feel alone."

Both collections are inspiring and unique. All work are for sale and will be exhibited until May 30th. Commission are also available upon request.

Friday, 29 March 2013

Interview with Art Dealer Elaine Fleck and Artist Amy Shackleton on her new Solo Show


Elaine: Tell us about your new Solo Show?
Amy: This April I am revealing a new series of paintings at The Elaine Fleck Gallery. I titled the show Things Are Looking Up. I think it will be my most colourful show yet (if that's possible).

Elaine: What is the driving force for it?
Amy: The work explores a new and exciting direction. I targeted and exposed specific energy efficient buildings that are popping up all across Canada. By shifting the vanishing point from low to high in space, I force the viewer to keep their chin up and be optimistic about the future of cities. 

Elaine: What has inspired you for this Solo Show?
Amy: The entire series is inspired by a feeling that came over me when I looked straight up in a forest. The surrounding trees curved in from all directions creating an abstract sense of space. Oddly enough, I've experienced this same feeling in the city, but instead of trees, high-rise buildings towered in from all directions. When I made this connection, I just had to illustrate my vision on canvas! 

Elaine: Are you working on any other “New” Painting Techniques? 
Amy: I'm always developing new techniques in my studio. With each piece I create, I discover more and more ways to manipulate paint with gravity. I just finished a 120" x 45" diptych that displays one of my newest discoveries. I can now achieve smooth colour gradients by spinning the canvas at high speeds!

Thursday, 21 March 2013

The Elaine Fleck Gallery Presents Amy Shackleton's New Solo Show 'Things Are Looking Up'



Amy’s paintings offer an alternative view to all the inconvenient truths about environmental degradation. Using natural forms as examples for sustainable design, she suggests innovative solutions for urban planning and development. 

“This new series of paintings began with a vision I had while looking up in a forest. The trees towered in from all directions much like high-rise buildings in city centres. When i made this connection, I had to bring the two worlds together on canvas. I juxtaposed vertical tree panoramas from Banff National Park and the Halliburton Highlands with buildings from Toronto, Calgary and Cincinnati. A few energy efficient buildings emerge in the works to remind us of the progress being made all around us. By shifting the vanishing point from low to high in space, I force the viewer to keep their chin up and be optimistic about the future of cities. “ ~Amy Shackleton


Amy also introduces her new, ambitious series: The Canada Project

THE GREAT CANADIAN LEED-SCAPE 
The Great Canadian LEED-scape project is a 53-foot-long, 13 panel painting that explores the natural environment and the recent development of sustainable buildings across Canada. With this project, she reveals the progress that is being made with the design, construction and operation of energy efficient buildings. More and more developments are making changes by incorporating green roofs, rain gardens, solar energy, geothermal heating/cooling, and urban agriculture. An internationally recognized rating system, called Leadership in Energy and Environmental Design (LEED), is in effect to classify and encourage these innovations. Using Canada’s LEED certification program as a guide, she pairs Canadian landscapes with brilliant examples of sustainable development across the great Canadian LEED-scape.