Showing posts with label Toronto. Show all posts
Showing posts with label Toronto. Show all posts

Saturday, 3 September 2016

JAMES MAXWELL

Artist James Maxwell works primarily in metal. He uses the techniques of industry, such as welding and machining, to create objects. His subject matter often employs the iconography of machinery and the objects they create. He is interest in form, and how ideas, once realized in three dimensions, transform. Materials, scale and surface become agents of change. By removing an object from its context, reconfiguring its composition and scale, Maxwell allows it to be something other than it was. In a sense, he is enabling us to reconfiguring ourselves.


"The use of systems is important to the work I do, both in the creation of objects and the development of ideas. Operations have orders. Yet the system does not always determine the final piece. Nor is it always employed. I am not a hostage to the orthodoxy of the original concept. Often the idea changes as the piece percolates over time and new ideas bubble up. Older ideas that keep returning are given their due and are executed. New ones sometimes jump the line." - James Maxwell





Monday, 4 July 2016

JULY 2016 EXHIBITION: "SPACE TIME AND MOTION" AT THE ELAINE FLECK GALLERY


SPACE TIME AND MOTION 

features new artwork by

Jacqueline Veltri exhibiting until July 31, 2016 

Cindy Dyson and Scott Kish exhibiting until July 16, 2016 

This artwork is for sale.


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This time and space series is about the way we use time. This series is dedicated to my mom who taught me that we can choose to use our time to be happy and fulfilled. I used the compasses to represent the space we occupy, and that we choose the direction we take in life. Ultimately time doesn't control us because we choose how we spend our time. I illustrate this by changing the scale of the compasses and making them much larger than the time pieces. - Jacqueline Veltri 

https://elainefleckgallery.com/collections/jacqueline-veltri







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My fascination with everyday street scenes reflects my hope and struggle to believe that the most beautiful moments in life are not always as expected. Perhaps these precious times are all at once – mundane and frenzied, fragile and strong, peaceful and painful, sunny and dark.
I work with acrylic paint and palette knives.  I find that the endlessness to the variety of mark I can make with these tools challenges and fascinates me.  I love the physicality and range of the knife – aggressive slices, delicate dabs, focused scrapes and thick bold swaths of colour.  The paint is so flexible – I can spray, splatter, blob and pour it. These qualities enable me to express a wide range of emotion in each piece.
I am greatly influenced by the European Impressionists. Their sensitive offerings physically and emotionally connect me to their 19th century world. My application of paint does not result in realistic representation.   Rather, I am satisfied with a rough familiarity and mood of subject.  My goal is to present an intriguing balance of roughness and tenderness; boldness and vulnerability, representation and expression. Cindy Dyson 




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Scott Kish paints "motion" in all its variable forms. The four paintings curated by Elaine Fleck for this exhibition are, large in scale 40 x 70 inches, life size forms of runway models painted with oils on aluminum providing the viewer immediate context turning a static artwork into stylized motion.

In early 2016, Scott received word that his motion  paintings were the inspiration behind New York fashion designer Vivienne Hu's Fall 2016 collection. After viewing the collection at the runway show at NYFW, he was inspired to depict this collection in a series of paintings.


Thursday, 28 April 2016

FLECK FINE ART GROUP SHOW MAY 2016


This May 2016 discover 13 EMERGING ARTITS and 12 GALLERY REPRESENTED ARTISTS

FLECK FINE ART GROUP SHOW

Once an artist has produced a body of work, the promotion and marketing of the artist and their work is a huge determining factor in their success and advancement. The Fleck Fine Art Catalogues and Group Shows are invaluable promotional venues for artists.
The Fleck Fine Art Catalogue is published twice a year. The spring/summer 2016 issue marks our 14th publication.
“The catalogue is a group activity, we all promote together to potential art buyers.” Elaine Fleck, Gallery Owner, Curator, Art Dealer
Elaine Fleck has a reputation for her discerning eye, great taste and a passion for representing artists who are innovators and create works that resonate with the public.
Come to the Elaine Fleck Gallery this May... get stimulated, get inspired! 
TRUE ART TRULY ELEVATES US!

Tuesday, 23 February 2016

March 2016 KATHY KISSIK and DAVID FREDRIK

March 2016 The Elaine Fleck Gallery presents work by renowned American artist Kathy Kissik and introduces the work of David Fredrik.


KATHY KISSIK
Kathy Kissik is a Miami-based artist known for her fusion of contemporary and historical photography with found objects. Kissik earned her BFA degrees from the School of the Museum of Fine Arts, Boston, MA and Tufts University where she was a fifth year Travelling Scholar recipient, then enrolled in a post-graduate program at the University of New South Wales.

Photography Based Mixed Media Collage by Kathy Kissik

Trained primarily in photography and welding, Kathy Kissik’s mixed media collages are often architectural. She photographs her subjects – with a traditional medium format camera and occasionally digitally – from slightly skewed perspectives, recording the shifting of light with the passage of time. Then Kissik builds out sculptural collages with contrasting textures and found objects for a multifaceted effect. Metals have an unspoken vocabulary in her practice that subtly transmit information to the viewer.

"My vision has always been to evoke how a place feels." -Kathy Kissik









DAVID FREDRIK


David Fredrik's mixed-media works blend chaos and harmony, all while expressing different “stories from the streets”.

David’s extensive world travels inspire his focus on global subcultures. His paintings aim to reflect the beautifully imperfect surroundings of urban city life. A focus on dense layers and coarse deconstruction form his signature pieces. His background in Advertising, Graphic Design, and Typography heavily influence his compositional approach.

In 2014, David was named an "Artist to Invest in Now" by Saatchi Art. 








Thursday, 21 January 2016



The Elaine Fleck Gallery has moved to 1351 Queen Street West. Our last location of eight years, 888 Queen Street West, was a wonderful venue and location but frankly did not have enough space for us to grow any further in. Our new location consists of 1500 square feet of usable gallery, office and inventory space with a wonderful court yard in the back. We have moved literally 5 minutes away or 1.7 km west.

I want to warmly thank Bill Riopka, Mark Liam Smith, Inger whist and Juliette Vermeersch for their great contribution to the move and renovations, they are true friends to the gallery and the Elaine Fleck Gallery is enriched because of them.

After a month of moving, renovating and organizing we are now hanging our first show in our new gallery space featuring brand new work by Elaine Fleck Gallery represented artists Karen Colangelo and Lloyd Arbour.

I encourage everyone to come out to the gallery to view and purchase this exceptional artwork. As emerging artists quickly gaining a strong following the price point of their work is still a bargain.




KAREN COLANGELO

My latest work is a Contradiction. I begin each piece with the primary colours. I allow these three contenders in the match to create a stage for mixing and matching. A dance that invites in secondary colours and eventually pushes out the final players…the tertiary colours.

I am going for the impact of colour as I lay complementary colours next to each other. As Monet once quoted in 1888, "colour makes its impact from contrasts rather than from its inherent qualities....the primary colours seem more brilliant when they are in contrast with their complementary colours” and eventually when placed next to each other, complements making each other appear brighter. This is the excitement I am trying to create for the viewer of my performance.

My painting technique uses the opposite of brushes. I putty up sheets of plexi-glass with an acrylic paint and drag the paint along the canvas surface creating my movement. As one colour dries I drag its opposite complementary colour across it. Working in this style I am creating layers of brilliant colours that grab your attention.

My goal is to create peace from Contradiction. Warm tones against cool tones. Dark colours against vibrant ones. Dry paint looking wet. All that contradiction turns into a beautiful visual harmony that is pleasing to the eye. I want the viewer to experience an inner sense of order and balance.







Lloyd Arbour


Arbour’s most recent work experiments with architecture, trains, maps, blueprints, photography and collage. Mediums play off, challenge, or complement one another. He creates unique urban designs that incorporate the new with the old to create imagery that is impactful. His recent work is a face lift to ordinary day to day elements of an urban city. His work allows the viewer to explore another perspective to the subdued or ordinary views of city life.

He uses advanced programs such as Adobe Photoshop and Adobe Illustrator and various techniques to construct his complex pieces of art.



Friday, 3 July 2015

The Elaine Fleck Gallery presents "NEW WORKS" featuring KATHY KISSIK and KAREN COLANGELO for the month of July.

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KATHY KISSIK

The New York City series


“The NYC artwork never sleeps. When the lights go down the paintings change. I have used light reflective tape to highlight composition and lead the viewer’s eyes on a tour throughout each artwork. The result is a completely different painting depending upon the light in which it is viewed, calling to mind ideas about perspective and what meaning it gives to content. Tall skyscrapers, helicopter views, graffiti, and broken surfaces combine much like the city itself.  These pieces are a study of the dynamic world we live in; pulsating, changing, and polarizing.” 
- K.K.







KATHY KISSIK

Star series

“Stars at night have provided a source for contemplation and inspiration for millennia. It is our innate nature to seek a relationship to these distant lights that reflect down upon us to challenge our collective perceptions, experiences and beliefs and thus further strengthen our ties to our original source. The 13 stars I have created fold into pyramids and can be manipulated to bend into a multitude of positions. They can adapt to the space they are presented in highlighting that it is the limitless imagination that gives meaning and content to our existence.” – K.K.




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KAREN COLANGELO


The inspiration for my paintings comes from the vibrant colours of nature. I represent these colours in layers. To apply the paint, I rarely use a paintbrush; I'm attracted to objects that I use in every day life. I use large sheets of plexiglass to apply the layers of paint to the canvas and as a result of this un-conventional method; the paint when dragged across the canvas evokes a spectrum of colour and movement. It is through this process of layering that these vibrant and whimsical worlds of abstraction are created. - K.C.






Tuesday, 24 March 2015

April 2015 at the Elaine Fleck Gallery "LIGHT SHOW" by Amy Shackleton - Gravity Painter - Sustainable Future Visionary!

SHOW STATEMENT:
This new series of work is inspired by colour and brightness—the visual sensation produced by light. Light Show could refer to a natural occurrence (like a sunset or colourful sky) or an artificial display (like festive or urban lights). Everyday, we rely on a balance of both—and as solar technologies continue to emerge the division is blurred. Sunlight is a key ingredient in sustainable building projects. Drawing inspiration from the visible light spectrum (all the colours of the rainbow) I explore the beauty and energy of both natural and artificial light in California, New York and Toronto.


ARTIST STATEMENT:
With my work I aim to stimulate dialogue and propose new possibilities for co-existence between man and the environment. My paintings are intended to portray urban life at its best, demonstrating ways that we can work with nature rather than against it. I explore continually evolving approaches to preserving our environment, living more efficiently and using fewer natural resources. My art suggests how we can implement innovative solutions for city planning and development with minimal impact on surrounding habitats. I developed a unique technique to complement my themes. I don’t use paintbrushes—I drip paint with squeeze bottles to build layers of organic lines (by spraying water and rapidly spinning each canvas) and straight lines (using a level). As in real life construction, the architectural aspects of my work are calculated, measured and controlled in order to assure precise locations of each line. As in nature, the environmental elements are more spontaneous, unpredictable and liquid.









Saturday, 24 January 2015

"Under-Texting"


Marcel Guldemond is a breath of fresh air; his use of traditional oil techniques combined with his illustration style makes his work a fun, unique, experience for all. His recent series is titled “Under-Texting” it depicts many storylines by contrasting brightly shaped comic book panels inside the golden glow of dusk, suggesting a larger narrative that the viewer can further explore.  

Marcel Guldemond lives in Ottawa, Ontario and is constantly inspired by the beautiful Canadian landscape. Marcel takes inspiration from Northern Ontario towns all the way to Parka Expeditions. His diverse work will be showcased in the month of February at the Elaine Fleck Gallery.  









Sunday, 29 December 2013

Amy Shackleton "REFLECTIONS OF THE FUTURE" January and February 2014

Elaine Fleck Gallery Represented artist Amy Shackleton has been SELLING OUT SHOWS at the Elaine Fleck Gallery for several years now and her trajectory for the New Year is straight up.
2014 starts out for Amy with a rare honour for an artist, a two month SOLO SHOW at the Elaine Fleck Gallery.
Exhibition Title: "REFLECTIONS OF THE FUTURE".
Artist Statement: “My new series of work is inspired by a recent trip along the coast of California. Throughout my travels I found myself gazing into water, admiring the movements, colours and reflections of the world around me. Reflections can be clear or distorted—transforming our view of the present. In this show I use reflections in pools, lakes and skyscrapers to manipulate my surroundings. I distort the present to reflect my vision of a sustainable future—a future where cities welcome the natural world.”Amy Shackleton
January and February 2014, showing at the Elaine Fleck Gallery, Wednesday to Sunday noon to 5:00pm and by appointment.
Thursday January 9th, 2014, 6 - 9 pm. Opening Night!
Join us at the Elaine Fleck Gallery for cocktails and hors d’oeuvres. Elaine Fleck will introduce Amy Shackleton and Amy will present a twenty-minute talk on her newest work.
Tuesday January 14, 2014
Elaine Fleck and Amy Shackleton are conducting an Art Talk at SOHO HOUSE Toronto. Soho House has established itself in London, New York, Toronto, Berlin, LA & Miami as the preeminent private members club for those in the creative industries.
Thursday – Sunday January 23-26, 2014
Amy Shackleton is painting “LIVE” at the Interior Design Show! Home Hardware has commissioned the painting which will be placed in a DRAW! A very lucky winner at the Interior Design Show will take home the painting.
February 2014
Fashion Magazine is featuring a two-page spread on Amy Shackleton including photos and an interview discussing her very ambitious “Canadian LEED-scape project”; a 53-foot-long, 13 panel painting that explores the natural environment and the recent development of sustainable buildings across Canada.

Saturday, 7 September 2013

The Elaine Fleck Gallery 

Presents

C A P I T A L

Michael Conway

“In this century, it will be the city—not the state—that becomes the nexus of economic and political power. Already, the world’s most important cities generate their own wealth and shape national politics as much as the reverse.” Parag Khanna, When Cities Rule the World.
"Capital” is a large scale (36”x48”) photomontage series that re-imagines / re-constructs various global cities. By dissecting these cities through the physical cutting of photographs, the work explores emergent aspects of the nation in a time of increasing cultural hybridity and planetary interdependence. Michael Conway. 2013.
Michael Conway B.Arch, Dip-Arch Tech, OAA



Opening Thursday September 12, 2013 from 6:00pm to 9:00pm
Show runs the month of September.