JULY 2016 EXHIBITION: "SPACE TIME AND MOTION" AT THE ELAINE FLECK GALLERY

SPACE TIME AND MOTION 

features new artwork by

Jacqueline Veltri exhibiting until July 31, 2016 

Cindy Dyson and Scott Kish exhibiting until July 16, 2016 

This artwork is for sale.

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This time and space series is about the way we use time. This series is dedicated to my mom who taught me that we can choose to use our time to be happy and fulfilled. I used the compasses to represent the space we occupy, and that we choose the direction we take in life. Ultimately time doesn't control us because we choose how we spend our time. I illustrate this by changing the scale of the compasses and making them much larger than the time pieces. - Jacqueline Veltri 

https://elainefleckgallery.com/collections/jacqueline-veltri

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My fascination with everyday street scenes reflects my hope and struggle to believe that the most beautiful moments in life are not always as expected. Perhaps these precious times are all at once – mundane and frenzied, fragile and strong, peaceful and painful, sunny and dark.

I work with acrylic paint and palette knives.  I find that the endlessness to the variety of mark I can make with these tools challenges and fascinates me.  I love the physicality and range of the knife – aggressive slices, delicate dabs, focused scrapes and thick bold swaths of colour.  The paint is so flexible – I can spray, splatter, blob and pour it. These qualities enable me to express a wide range of emotion in each piece.

I am greatly influenced by the European Impressionists. Their sensitive offerings physically and emotionally connect me to their 19th century world. My application of paint does not result in realistic representation.   Rather, I am satisfied with a rough familiarity and mood of subject.  My goal is to present an intriguing balance of roughness and tenderness; boldness and vulnerability, representation and expression. - Cindy Dyson 

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Scott Kish paints "motion" in all its variable forms. The four paintings curated by Elaine Fleck for this exhibition are, large in scale 40 x 70 inches, life size forms of runway models painted with oils on aluminum providing the viewer immediate context turning a static artwork into stylized motion.

In early 2016, Scott received word that his motion  paintings were the inspiration behind New York fashion designer Vivienne Hu's Fall 2016 collection. After viewing the collection at the runway show at NYFW, he was inspired to depict this collection in a series of paintings.

"Under-Texting"

Marcel Guldemond is a breath of fresh air; his use of traditional oil techniques combined with his illustration style makes his work a fun, unique, experience for all. His recent series is titled “Under-Texting” it depicts many storylines by contrasting brightly shaped comic book panels inside the golden glow of dusk, suggesting a larger narrative that the viewer can further explore.  

Marcel Guldemond lives in Ottawa, Ontario and is constantly inspired by the beautiful Canadian landscape. Marcel takes inspiration from Northern Ontario towns all the way to Parka Expeditions. His diverse work will be showcased in the month of February at the Elaine Fleck Gallery.  

Artist Statement 

Undertexting describes a new art making process I've developed, as well as the idea that we

as human beings use stories to understand everything in our lives; that the cultural context of

everything we've read and watched and listened to forms the underlying context of almost

every moment that we live.

One could also say that undertexting is about the relativity of meaning, that all meaning is only

ever understood within a cultural context, and how that cultural context is formed by the

stories we consume. [One could also say that it's about how the background context of how

we understand things is often a jumble, but that might just be a reflection of the disarray in my

own mind.]

As a art making process, Undertexting starts with a layer of torn photocopies of pages from

my favourite books, mostly novels, that I paste on to the panel over top of the original

drawings. I then paint on top of that with thin layers of paint (much thinner than I'd been using

in the past) allowing you to see some of the underlying text, making that cultural context more

explicit and part of the visual story.

Undertexting is a new art making process for me not only because of the underlying layers of

text, but also because I've completely changed how the paintings look: I've begun to explicitly

incorporate things from my background in comics. These include the use of inset panels,

which I'm using to show key scenes in the stories the paintings are describing, and the use of

more abstract line and flat colour based backgrounds, which set the emotional contexts and

the settings for the stories they tell.

When people would ask me what my paintings were about before Undertexting, I usually said

that they were scenes from imaginary novels, or what it felt and looked like to be in an

imaginary novel. These new paintings that make up Undertexting are, with their underlying

layers of text and their use of visual storytelling elements from the comics medium, even more

about scenes from, or being inside of, imaginary novels. I hope you enjoy them.

- Marcel Guldemond

The Elaine Fleck Gallery 

Presents

C A P I T A L

Michael Conway

“In this century, it will be the city—not the state—that becomes the nexus of economic and political power. Already, the world’s most important cities generate their own wealth and shape national politics as much as the reverse.” Parag Khanna, When Cities Rule the World.

"Capital” is a large scale (36”x48”) photomontage series that re-imagines / re-constructs various global cities. By dissecting these cities through the physical cutting of photographs, the work explores emergent aspects of the nation in a time of increasing cultural hybridity and planetary interdependence. Michael Conway. 2013.

Michael Conway B.Arch, Dip-Arch Tech, OAA

Opening Thursday September 12, 2013 from 6:00pm to 9:00pm

Show runs the month of September.

Art Exhibition And Sale: Gallery Represented Artists Maggie Broda, James Swartz, and Katerina Podolak

Toronto Based Artist Maggie Broda: "The actions of people fascinate me, not their faces, clothes or bodies so much but their disciplines. People have auras which I reproduce with colour. Their inclinations are determined in my work by the lines they carve spatially. The texture develops with the layering of the medium."

Toronto Based Artist James C. Swartz: Urban, rural and industrial landscapes have long been a subject of intrigue for James. His imagery explores the intricate link between society and nature, combining the raw elements of growth, development, desertion and decay into eloquent, highly expressive visions that find beauty and humanity in the most unlikely of places.

Toronto Based Artist Katerina Podolak, originally from Prague, Czech Republic. Through her paintings, she is currently exploring the power struggle between the natural world and the constructed world. Katerina’s paintings reflect a dynamic relationship without resolution: sometimes rigid structures are disrupted by organic forms; other times the relationship is harmonious. Katerina’s treatment of this shifting relationship invites contemplation. Each piece carefully balances unity and tension using a system of interlocking, interaction power relations. A hybrid of untamed gesture and mathematical tension captures both the architectonic stasis and the kinetic furor of the moment.

How to Succeed in the Art World Seminar

Join us Sunday May 19th from 2-5pm for our Seminar "How to Succeed in the Art World." With over 20 years experience as a Curator and Art Dealer, Elaine Fleck has designed this seminar that explains the pit-falls in the Art World, how to navigate around them and promote your work successfully.  Suitable for artist, photographer and art dealers, the seminar explains what to expect when dealing with buyers and galleries, how to promote your work and made it in the Art World.

With only a few seats left, confirm your attendance today!  

Scotiabank Contact Photography Festival 2013: Featuring Photography by Inger Whist and Jamie Day Fleck

 For the month of May, The Elaine Fleck Gallery is featuring photography collections by Inger Whist and Jamie Day Fleck as part of Scotiabank CONTACT Photography Festival.

Inger's work is based on a succession of photographs pieced together making up a panoramic still-point. The viewer revisits this still-point with a curved piece framed in plexiglas titled "The Wave" taken near Cape Town, South Africa. Her collection also features waterfront panoramic photographs taken in Nova Scotia and Prince Edward Island.

Jamie's collection appropriately named "Night Portraits" is cinematically inspired scenes with people placed as lone characters in implied drama. Using the cities as stages, the environment, pools of light and neon lighting become almost a character itself through connotation and imposing a sense of place. The collection captures mundane moments in city settings highlighting the beauty yet isolation. "As the project progressed it became apparent this this was not just about the city but about urban living. It was about what it was like to live in a big, formidable city like New York: the beauty and isolation. While one can be surrounded by people, one can simultaneously feel alone."

Both collections are inspiring and unique. All work are for sale and will be exhibited until May 30th. Commission are also available upon request.