Artists represented by the Elaine Fleck Gallery are selected for their unique contemporary themes, accomplished with innovative and masterful skill, producing artworks that captivates and resonates with art buyers.
Wednesday, 27 February 2013
Friday, 22 February 2013
The Elaine Fleck Gallery Presents New Work by Tania Guzmán and Laura Heaney
The Elaine Fleck
Gallery is excited to introduce two new young artists to our repertoire, Tania
Guzmán and Laura Heaney. These two artists came to us through by submitting to
our bi-annual catalogue and were very well received. The abstract art of Tania
Guzmán and the modern classical illustrations of Laura Heaney are both
wonderful examples of what the Toronto Art Scene has to offer.
Laura Heaney brings focus to these speculations by fusing traditional techniques like chiaroscuro (a dramatic light source commonly found in Renaissance portraiture), with the modern day subject matter of social media devices – smart phones, computers, tablets, etc. Using these digital gadgets as the solitary light source for her “plugged in” subjects, Heaney is able to establish the potential for a “Social Renaissance,” while simultaneously creating a void-like and possibly isolating environment.
Tania Guzmán
It begins with the
interplay of raw emotion and the free flow of colour. As she mixes the colours,
she cultivates an open-hearted, open-minded state so that lines, forms, images
and narrative can emerge naturally.
She builds the
paintings in fine, almost transparent layers so that the image evolves but the
initial interplay remains. Some elements or features become veiled while others
emerge.
This process results
in layers of emotion, memory, and sensory experience, with a range of energy,
from elegant sensuality to aggressive tension.
Laura Heaney
Social Media is an
ever-present topic of conflicted discussion. Since the introduction of the
World Wide Web, societal norms have been changing at an ever-increasing rate.
People are suddenly connected on a global scale and information happens in
“instant” time.
With the world in such
a state of flux, people are scrambling to define what is happening. Is a
“Social Renaissance” of expansion, exploration and deeper connectivity
currently evolving for humanity through software phenomenon such as Facebook,
Google and Twitter, or is this the beginnings of an anti-social future, one
characterized by the loneliness of the isolated person in the connected crowd?
Laura Heaney brings focus to these speculations by fusing traditional techniques like chiaroscuro (a dramatic light source commonly found in Renaissance portraiture), with the modern day subject matter of social media devices – smart phones, computers, tablets, etc. Using these digital gadgets as the solitary light source for her “plugged in” subjects, Heaney is able to establish the potential for a “Social Renaissance,” while simultaneously creating a void-like and possibly isolating environment.
Wednesday, 20 February 2013
Thursday, 14 February 2013
February 2013 Panorama
The Panorama of our Current Show
Click and Drag the Panorama to view.
Wednesday, 6 February 2013
Art Exhibition: Still Photography and Video Installation
Abstract expressionism
has a rich history that spans over a century. From its beginnings in Kandinsky
and Kupka, to its evolution in Mondrian, Pollock, and Rothko, the movement has
stirred the art world’s imagination and ignited debate about the power and meaning
of art. The magic of non-figurative art is rooted in its ability to bypass our
circuitry of preconceived mental representations and penetrate into something
primordial. The pure colours and forms of a compelling abstract can invoke a
deep emotional state, not unlike a piece of instrumental music.
Featured Artist:
Harrison Taylor
"I seek and make
subjects that emulate patterns which can be taken out of their context of size
and time. This creates a shift in scale that allows for a reinterpretation
of preconceived visuals and ideas. As a result, my work suggests a
constant struggle between nature and order; a play between what we know and
what we are allowed to make up."
Featured Photographer:
Roman Elinson
With abstract
expressionist photography, the work becomes a collaboration between the artist
and the forces of nature. In this series building facades are warped and
transmogrified by the swells of lake Ontario, Parisian street lights are
transformed into a ghostly fire in the ripples of the Seine, Turkish kiosks
dissolve into diaphanous strands and splashes of colour in the waters of the
Bosporus, and Christmas tree lights are detonated into an electrical tempest by
the zoom and shake of the camera’s lens. I hope that in viewing these images
you can share in my surprise and delight at the sublime creations of chaos at
play.
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